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But it’s remarkably lean and focused for a dreadnought. We’ve already seen how the new system has proved itself, so the real question is ‘does it satisfy as a vintage-informed dreadnought?’ And we’re happy to say that it does. The output doubles as the only strap button on the base of the guitar where you also change the battery to power the preamp. The 717e features rosewood back and sides along with mahogany neck. All rights reserved. Guitarists’ reactions to this new color are likely to differ. It’s equally comfortable whether you clasp the neck with your thumb, or use your thumb tip as a pressure point, classical guitar style. Each year brings fresh opportunities for Taylor Guitars to explore innovative new designs that open new musical paths for guitar players of all styles. On PremierGuitar.com, "Sponsored Content" refers to articles, videos, or audio recordings that are produced or curated by an advertiser but that, First Look: Taylor Grand Pacific Builder's Edition 717, Taylor Guitars Announces the Grand Pacific and Grand Concert Lines, Andy Powers Demos the Taylor 317e Grand Pacific Dreadnought, Taylor Guitars Introduces Limited Edition Grand Auditorium Models, 1. Having started as a tentative experiment in Taylor’s high-end range of instruments, V-Class bracing is now starting to filter throughout the catalogue and, judging from what we have before us today, inspiring new models in the line. First Look: Hughes & Kettner Spirit Nano Series. Taylor Builder's Edition717E sunburst Lefty Hand tooled case Taylor Builder's Edition717E sunburst Lefty Hand tooled case. In a way, it’s a simpler and thicker sound, minus some of the usual spectral nooks and crannies. Hello, Beautiful Taylor Builder's Edition 717e. The Indian rosewood back and sides boast beautiful figuration, as does the mahogany neck. But the more I played, the more I warmed to it. The fingerboard is a deep dark ebony but inlays are minimal; binding is of the same colour with subtle purfling and minimal soundhole decoration. Bath $2,899. The point should be that Taylor has succeeded once again in building a stage-ready, tonally adept instrument that will provide the goods reliably for years into the future. I know I’m not the only recording guitarist who avoids dreadnoughts like the plague. Unlike the luxurious, bling-intensive models that inaugurated the Builder’s Edition series and V-Class bracing, the look here is understated elegance. Sure, they sound full and powerful in a room or on the street. The Verdict Part of Taylor's inaugural class of Grand Pacific guitars, the Builder's Edition 717 builds on a long tradition of rosewood/spruce dreadnoughts, but breaks new ground with an entirely new Taylor sound. Naturally, the rosewood’s presence here on back and sides has a different cosmetic appearance to the mahogany, but in a low light, you’d be hard pushed to tell them apart. Subtle, yes, but both help with making the design feel more comfortable and more hand-tooled. I initially found the sound odd but compelling. */, Copyright ©2020. Expertly built dreadnought electro with its own character and a fine set of lungs. San Francisco-based Senior Contributing Editor Joe Gore has recorded with Tom Waits, PJ Harvey, Tracy Chapman, Courtney Love, Marianne Faithfull, Les Claypool, Flea, DJ Shadow, John Cale, and many other artists. And while $2,899 is a serious investment, the price is more than fair for such a masterfully made guitar with so many unique and innovative features. Quantity Add to cart Last items in stock Share. Not so here. The fingerboard edges are lightly rounded, too, which gives the neck a less pristine feel, while fretting from Taylor’s standard medium/small gauge and the new ‘arrowheads’ inlays are typically sharply done. Like other Builder’s Edition models, the joints where the top meets the back and sides are chamfered—that is, gently rounded, with no sharp edges to poke at you while you play. This guitar is gorgeous, supremely comfy, and more adept and flexible in the studio than most dreadnoughts. It’s here, too, on the 717, that Taylor’s suggestion that notes on the Grand Pacific “overlap” more than on, say, a Grand Auditorium, seems especially correct. It’s probably the warmest, most retro-sounding instrument in Taylor’s line—to an extent. Taylor Left Handed Guitars. It’s framed by subtle wood inlays and clad in Taylor’s “silent satin” finish, which truly does reduce the noise of your skin and shirt rubbing against the body while playing. It’s all true. Always a case of personal preference, the choice would be yours, depending on what your ears tell you. Dimensionally, the Grand Pacific follows Taylor’s previous dreadnought: the body is 508mm (20 inches) long, 406.4mm (16 inches) wide with a slightly shallower depth of 117.5mm at the base tapering to 95mm by the heel. It’s so pretty you might be tempted to transport the guitar in another case for fear of scratching this one. The 717 also employs Taylor’s recently introduced V-Class bracing, a dramatic departure from traditional X-bracing. You still need to be careful while recording. Here, two long braces frame the soundhole, converging to a point near the endpin. Taylor Builder's Edition 717 Wild Honey Burst. Picking up the 717e, we’re struck by how similar it is to the recently-reviewed 517e. All Rights Reserved These are Taylor’s first round-shouldered dreadnoughts. There’s a new ‘curve wing’ bridge design that rounds the sharp points of the bridge endpoints giving a little more comfort, like the noticeably chamfered edge of the binding along with a more rounded nose to the heel (which, incidentally, has no strap button). There appears to be a little more heft to the neck with a front-to-back width of approximately 22mm at the 1st fret and 24.3mm by the 10th. Visit our corporate site. Your Pedalboards 2020: Part Deux, 1. Joe has written several thousand articles about music and musicians and has contributed to many musical products, including Apple’s Logic and GarageBand programs. Privacy Policy | It’s probably the warmest, most retro-sounding instrument in Taylor’s line—to an extent. But it’s remarkably lean and focused for a dreadnought. Ears tell you s a simpler and thicker sound, minus some of the usual spectral nooks and crannies as., respectively that you ’ d expect from such a big-bodied guitar hear. 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